2015: The Year That Was (PART 2)

2015: The Year That Was (PART 2)

Welcome to 2016, everybody! Hopefully this post will sneak in under the wire as a Timely and Relevant Hot Take on great things from 2015 before we get too far into this exciting new arbitrarily designated temporal unit! Here, without further ado, some more of my favorite things from this past calendar year! (Check out Part 1 for notes on books and music and please leave a note if you have favorites from 2015 that you want to share!)

**NB: These are things I enjoyed this calendar year, not necessarily things that were released/created in the last 12 months. I'm behind the curve pretty much always, but on the assumption that you might be, too, I hazard that some of these might still be useful!**

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Summer Fun: Cape Cod in 36 Hours

Summer Fun: Cape Cod in 36 Hours

My family always goes on one big vacation a year—indeed, often only goes on one real vacation a year, and ever since I was a tiny baby, that vacation has been to Cape Cod, Massachusetts. When my mom was a kid she used to spend her whole summers down there, although for my own childhood, we usually made do with a two-week interval, the only major time I'd spent away from home probably up until I went to college. Now that I'm a nominal grownup with a full-time job my own apartment and cats to look after, I don't spend the whole two weeks with my family, but I still manage to get down for a weekend or so every year. And I've been going long enough that I have some pretty strong opinions about what you should do if you find yourself on the Cape, so today I'm going to share some of those. This might be a bit much to actually tackle in one 36-hour visit, but let's be ambitious, shall we?

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Podcasts for Nerds

Podcasts for Nerds

Podcasts are definitely one of my favorite forms of media. The podcast is an incredibly diverse, democratic, and creative format. The average podcast that I listen to is between 25 and 45 minutes long, with some outliers at the very short end being just a few minutes in some installments, and some of the more rambling ones stretching to over an hour each. I listen to several a day, mostly thanks to the fact that I walk to and from work, about 40 minutes each way. The bulk of the shows I subscribe to could be loosely called "educational" but a better word might be "exegetical" (as long as we're taking a pretty wide view of what is a "text"and as a former academic, I certainly do). These podcasts are usually run by highly intelligent and vocally charismatic obsessives who have a passion for sharing the things they are obsessed with. Some are produced as more traditional radio essays, some as panel discussions, some as sort of dramatic monologues. (Podcasts are also the reason that this blog is built as a Squarespace site, since they are one of the most frequent sponsors on nearly EVERY SINGLE PODCAST I listen to, so when I started to think about making a blog, that was pretty much the only way I could conceive of doing it.)

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The Confessional Poetics of Taylor Swift, or: Does Too Much Knowledge Ruin Art?

The Confessional Poetics of Taylor Swift, or: Does Too Much Knowledge Ruin Art?

I wanted to write up some quick notes about something that I've been thinking about a lot this past week. The topic came up in conversation with my friend Margaret in conjunction with an episode she recently recorded for my favorite podcast, NPR's Pop Culture Happy Hour. (We had our conversation before the episode went live; I then listened to the episode and later we continued the conversation on Twitter.) On the episode in question (which is great, as all of that show is great), one of the topics discussed was credulity, mostly in terms of what elements of pop culture strain credulity for a person when they show up. As Margaret defined the term in this context, credulity is invoked when "some amount of knowledge you have about the subject at hand interferes with how you're capable of consuming the show or song or sporting event or anything...any time your real-world information is interfering with your ability to consume this artificial, constructed simulation." 

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